a passage to india
- 网络印度之行;印度之旅
a passage to india-
Image and Rhythm In A Passage To India
《印度之行》中的意象与节奏
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Focalization and Free Indirect Discourse in A Passage to India
论聚焦与自由间接引语在《印度之行》中的运用
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His goal was to find a passage to India .
他的目标是发现通向印度的航道。
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And A Passage to India also demonstrates a multiplied consciousness of subject and communication through dialogue .
《印度之行》体现了多元的主体意识以及通过对话进行交流的意识。
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A Passage to India is an Indian subject novel of E. M. Forster .
《印度之行》是英国作家福斯特的一部印度题材小说。
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On Mystery in a Passage to India
评《印度之行》中的神秘性
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On the negation in A Passage to India
浅析否定词及否定句对《印度之行》主题的帮助
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E.M.Forster ; A Passage to India ; rhythm ; theme ;
爱·摩·福斯特；《印度之行》；节奏；主题；
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E.M. Forster 's Quest for Order in a Passage to India
《印度之行》中西方人对秩序的永恒追求
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Let Love Cross Cultural Handicaps & Cultural Significance of E.M. Forster 's A Passage to India
让爱穿越文化的障碍&论福斯特《印度之行》的文化意义
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Symbolism in A Passage to India
《印度之行》象征主义的运用
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A Passage to India is unanimously regarded as his best novel and a classic in the twentieth-century English literature .
《印度之行》被公认为是福斯特最优秀的作品，也被认为是二十世纪英国文学中的经典著作。
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His fifth novel , A Passage to India was published in 1924 , and is considered as best-known and most widely read novel .
他的第五部小说《印度之行》被认为是其最为成功的一部作品。
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An Interpretation of Adele Quested & An Initial Discussion on the Feminine Characters in A Passage To India On Wordsworth 's Female Viewpoint
阿黛拉·奎斯特解读&《印度之行》妇女形象初探论华兹华斯的妇女观
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And his masterpiece A Passage to India is a typically cross-cultural novel . The employment of symbolism and mysticism is an outstanding characteristic of the novel .
他的杰作《印度之行》是一部典型的跨文化小说，象征主义和神秘主义的运用是小说当中一个突出的特点。
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The title of his masterpiece A Passage to India is from the long poem " Passage to India " by Whitman , the American romantic poet .
小说的题目取自美国十九世纪浪漫主义诗人惠特曼在1871年发表的长诗通向印度之路。
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Princess Anne , Princess Diana and the Queen Mother attend the premiere of A Passage to India in voluminous ball gowns in1985 .
安妮公主、戴安娜王妃与女王的合影。
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Many novels of E.M Forster are themed by journeys , among which A Passage to India is written according to his experience of two trips to India .
E.M.福斯特多部小说作品以旅行为题，其中《印度之行》是福斯特根据自己两次去印度旅行的经历创作而成。
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His style ranged wide , from Palm Court dances in " A Passage to India " to jaunty Sousa-style marches in " The Man Who Would Be King ", but it could also be spare .
他风格多样，从《印度之行》的棕榈园舞曲到《霸王铁金刚》中苏萨风格、得意洋洋的进行曲，当然，这进行曲也可以是悠闲的。
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In A Passage to India , there are some nameless Indian natives from the lower society . The presentation of these Indians is either from the perspective of the author or from the perspective of the English colonizers in the novel .
小说中提到了一些没有名字的来自社会底层的印度人，对于他们的描述，或者来自福斯特的视角或者来自小说中的英国殖民者的视角。
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Division or Connection & A Thematic Analysis of a Passage to India from the Postcolonial Perspective
分裂或联结&从后殖民角度分析《印度之行》的主题
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The first chapter serves as an introduction to the present paper , which applies the postcolonial criticism to a thematic analysis of A Passage to India .
第一章作为本论文的引言介绍了以下内容：论文拟运用后殖民批评来分析《印度之行》（APassagetoIndia）的主题。
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A Comparative Study of Two Mas and a Passage to India : A Postcolonial Perspective
《二马》和《印度之行》的后殖民比较研究